Traditional Javanese architecture, especially in the area of Central Java is more widely known by Joglo buildings. Joglo is the frame of the main building of traditional Javanese house consisting of four pillars form the main pillars supporting the structure and composition of intercropping in the form of beams sup
ported on pillars.
Houses Joglo generally only owned by people more capable material. This is due to the materials needed to build a house Joglo a lot and is quite expensive because most of the material came from the teak and takes care of its own. In terms of society, the form should only be considered Joglo people have distinguished mainly from the nobility. In addition, the building contained Joglo philosophy of the life of the Java community.
The composition of the room on Joglo generally divided into three sections called pendhapa meeting room, living room or space that used to hold a puppet show called pringgitan, and a back room called the palace or omah jero as a family room.
In this room there are three senthong (room) senthong the left, middle and senthong senthong right.
`Pendhopo as open space serves to receive guests. The structure of the building on pendhopo use as a pedestal base with pillar, the 4 pillars (main mast) as a symbol of four cardinal directions. and 12 pillar pengarak and reverse sort Intercropping is supported by a pillar. Intercropping commonly found in multi-storey pavilion building arranged. Levels can also be interpreted as a level to get to a tipping point, which consists of serengat, congregations, nature, and makrifat. According to Javanese belief, these levels will converge at one point.
Ndalem is central arrangement of the spaces in the vicinity. Its main function is as a family room. Personal nature of this room, the atmosphere is inside a quiet and dignified. On the spatial pattern Ndalem floor height so that there are differences divide the space into two areas. On the lower floor is used as circulation, while the lower part is used as a family room and senthong.
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