The Ascent at Roebling's Bridge indicates the possibility of living in the cloud. Newest prestigious address in the Cincinnati area features distinguished high-rise living, a rarity in this area of hills, valleys, and single family homes. The climb was led on a small site in Covington, soaring above its neighbors wry postmodern,
Corporex tower, and took design cues (both in shape and color) of the adjacent Suspension Bridge, designed by John Roebling
. The bridge was opened in 1866 and run dry of sorts for the Brooklyn Bridge, which Roebling designed but will not live to see completed.
Daniel Libeskind created the design for the Ascent of careful study of the waterfront area in Covington and many views in all directions. View: This is the beginning of the project, the possibility of providing tenants every unique view of the Ohio River and downtown Cincinnati, Covington and from I-75 to the south, the development of Newport neighbor to the east, from Park Hills and Devou Park to the west.
Architects really learn the whole panorama in order to maximize the visual experience of living in each unit, the smallest of the 900 square-foot one-bedroom unit to a thrilling penthouse above. There are no two views of the same, but all of them are amazing. Each tenant here got a river view, an egalitarian touch rarely ride height.
No one stared at a brick wall. Holistic design, pattern and composition of the exterior attributes are repeated in the interior, but cleverly and in a way that a lower architect will quickly fall into boring repetition.
Pearl white color of the concrete panels match the color of the walls in the lobby and by the lush carpet in the penthouse we visited. Patterns tile modular concrete panels and glass façade are repeated in a pattern on the wall tiles and floor lobby.
The curve shape is repeated by building a swimming pool and in the design of the patio and fire pit area. Concrete canopy at the main entrance just as the cantilevered balcony. And look, one sees the size of the balcony is not uniform but changed in a similar pattern to that of the concrete panels on the façade.
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