Architecture Vihara, Chinese

Chinese art and architecture from Neolithic culture (New Stone Age) until the 20th century, which shows the longest culture. The principle underlying all aspects of Chinese culture - balance harmony - seen in many works of art and architecture. Chinese architecture is a balance of tradition, religion and innovation, both of these ideas of his own people or outside influences.

Influences from outside the most influential Chinese architecture comes from India. Not only in terms of its architecture are affected, but also in terms of religion or belief, namely Buddhism. Monastery as a place of Buddhist worship has a typical Chinese architecture.

A. Buddhism from India and china architecture
Traveling abroad and political turmoil affecting the character of Chinese architecture over the centuries. Buddhism entered in the 4th century AD, brought a new style of architecture, art, and paintings from India. In addition, the Buddhist doctrine emphasizing on the ability of the human body after death. And hence the dead should be buried in accordance with, the so-called Hong Shui.
Around the 4th century, the flow of forces creates a new category which is a combination of art and Buddhist architecture with Chinese tradition. In western China, the monastery of Dun-huang still maintains a mural based on the sacred stories. Wooden pagodas, architectural form based on the Indian stupa and tower characteristics Han dynasty, all are showing this combination.
During the Sung Dynasty, began to built the forms of towers / buildings of worship are low and close to the present form of the temple, which eventually became popular.

Byodoin Vihara - One of the monastery buildings were common.

B. Chinese geomancy (Feng Shui / Hong Shui)
One of the most influential Chinese architecture, especially in the temple building is Hong Shui. Hong Shui is the art of good fortune or bad fortune in the future, from images consisting of titik-titik/garis any found on Earth's surface. And by Buddhist beliefs, it is connected in a way to bury the dead, because it can be said that one's fortune will depend on how well their ancestors were buried, and also how exactly the plan and construction of their dwellings constructed in accordance with the dead gakamkan , because it can be said that one's fortune will depend on how well their ancestors were buried, and also how exactly the plan and construction of their dwellings constructed in accordance with gakamkan dead.
Because it can be said that one's fortune will depend on how well their ancestors were buried, and also how exactly the plan and construction of their dwellings constructed in accordance with gakamkan dead, because it can be said that one's fortune will depend on how well their ancestors buried and Singapore, Hong Kong, and so forth. Since it can be said that Hong Shui plays an important role in Chinese architecture.

C. Philosophy
Surrounding natural environment will reveal the presence of ch'i brother or Yang-ch'i in the form of the dragon, and a daughter or Yin-ch'i ch'i in the form of the tiger. Two kinds of ch'i or vital energy flow is said to be the land of hot and cold. Both figuratively called the Blue Dragon and the White Tiger. The Blue Dragon should have always been on the left or on the east side, while the White Tiger on the right or on the west side. Sometimes they are also thought of as the lower and the upper arm of a man, and the bending of the arm that is to look for a good location, the angle created by the dragon and the tiger, at the center point where the two meet each other ch'i Airan or intercourse. The best is when two lambing had formed a horseshoe, in the sense that both the protective mountain slope that starts at one point moving scattered to the right and left of the arc intentions are good, while the edges slightly turned in and closer together. Formations such as mountains or hills is a strength index would have the presence of a dragon the original.

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