Learn about the relationship theme design paradigm. let us know about the draft design theme we each take from anywhere paradigm.
1. The paradigm of Marxism with the theme of History and Historicism
In the paradigm of Marxism has been discussed that the city should build a culture there are features or marker or identifier attribute seagai city. Association with historical themes that we know the history or origin of the city we can find an element or attribute marker marker of the city, as a city where, according to the city's history like wars than it is in the city there are many forts and if times have changed culture but they never change as long as they hold them. Certainly in the days ahead as it is today, where the war is opposed everywhere and although the city also has never been to war, but there mu
st be architectural importance of the buildings that still characterizes their forts and other defensive buildings even though the building was not enabled for the defense .
2. Feminism with Paradigm Agency Themes
As described on the theme of loss that postmodern architectural look at the body as a model for the façade, create a detailed picture of humanity and even likened it to the image, then link this theme with feinologis paradigm is that by the time the designer show details or images into building There definitely want to convey the impression of the building was so impressed feminine or masculine in accordance with the theme discussed in Feminism is the architect designing banguanan by incorporating elements of gender differences. Examples such as the postmodern age in Europe, building manor is equipped with a large garden in the garden where there is a fountain with a statue pose half-naked chick because designers want to show the side of feminism, combined with the feel of a fountain that seem interesting as a view and cause effects of romance.
3. Paradigm Agency Phenomenologi by theme
As expressed in the paradigm Phenomenologi that convenience is formed through perbaduan between building elements, kosep planning and planning in order to create a comfortable place for people to move, hence its association with the agency paradigm that we should pay attention to the human scale and proportion as expressed by Vidler so create a comfortable space to move. For example, if an architect wants to design the bed so he must know what activities are carried out and the furniture is what is needed to support the activities and the circulation needed for passing. Everything was based on a human scale shingga furniture can be created, the volume of space corresponding to the human scale so that such premises as described in the comfort of phenomenology paradigm can be achieved.
4. Paradigm Phenomenologi with The Scene
In phenomenology paradigm described that to achieve comfort, it takes a combination of various elements. Association with the theme of the place is that we should be able to maximize the environment around us and then combine them in an effort to realize the convenience of the residents, but on the one hand we must also consider the environment in which we exist. Attention can be either maximize positive factors of our environment and minimize negative factors in our environment so that our comfort is not disturbed, except that in order to achieve comfort lest we destroy or disturb the environment around us. Example if the environment around us is a rocky environment then how do we harness the efforts of the existing environment around us improvise without damaging the environment around us and we should be able to sustain, maintain, and preserve our environment from extinction and remain as usual.
5. Aesthetic Paradigm Paradigm Rules Phenomenologi and Themes
In the paradigm of aesthetic, aesthetic value occupies the first value in the design, but according to our group, it may not reduce the comfort of human origin, as expressed in the paradigm of phenomenology and in accordance with existing regulations and ethics in the local environment such as expressed in the theme rules. So in essence phenomenologi paradigm and theme rule limiting the aesthetic paradigm of aesthetic order not to interfere with both the occupants and the surrounding. Example: in the design of the building, we can decorate our home looks in terms of looks us in relation to our surroundings basngunan accordance with government regulations in force in the area, such as the rules states that we must be compatible with the buildings around us. In addition to featuring beauty should not diminish the efficiency and comfort of building occupants is maintained.
6. Linguistics with Entity Paradigm Themes
Bodies in postmodern architecture is used as a model. Association with linguistic paradigm is that the agency as a model of the building appears as a manifestation of symbols, signs, architectural expression of feelings. So in essence, by our group, the theme of the body helped bring about a paradigm lingguistik. Example: banguanan KB nursing mothers with a statue at the entrance to symbolize that this building is a building associated with the KB.
7. The paradigm of Marxism with Urban Themes
In keeping with the urban theme of the need for compatibility between the urban deformation. These deformations include economic, social, and cultural. While the paradigm of Marxism discusses about the features that mark the city's culture. So in essence, by our group, the paradigm of Marxism is one of the factors that need to be used as consideration in thinking about the theme gray.
8. Theme ParadigmaMarxism with Meaning
Based on the paradigm of Marxism, namely the need for a marker as the cultural features of the city's association with the theme of the meaning of the theme that contains the element type, function and tectonics helps us to be more creative in finding the cultural features of the city. By knowing the type of proficiency level as described in the theme of the sense that parts of this type of communication yaiu able to create a sense of continuity between the building and its history, we can know the history of the city before or by knowing the culture helps us to find features, or cultural identity of the city which later will help us get to know the city.
1. The paradigm of Marxism with the theme of History and Historicism
In the paradigm of Marxism has been discussed that the city should build a culture there are features or marker or identifier attribute seagai city. Association with historical themes that we know the history or origin of the city we can find an element or attribute marker marker of the city, as a city where, according to the city's history like wars than it is in the city there are many forts and if times have changed culture but they never change as long as they hold them. Certainly in the days ahead as it is today, where the war is opposed everywhere and although the city also has never been to war, but there mu
st be architectural importance of the buildings that still characterizes their forts and other defensive buildings even though the building was not enabled for the defense .
2. Feminism with Paradigm Agency Themes
As described on the theme of loss that postmodern architectural look at the body as a model for the façade, create a detailed picture of humanity and even likened it to the image, then link this theme with feinologis paradigm is that by the time the designer show details or images into building There definitely want to convey the impression of the building was so impressed feminine or masculine in accordance with the theme discussed in Feminism is the architect designing banguanan by incorporating elements of gender differences. Examples such as the postmodern age in Europe, building manor is equipped with a large garden in the garden where there is a fountain with a statue pose half-naked chick because designers want to show the side of feminism, combined with the feel of a fountain that seem interesting as a view and cause effects of romance.
3. Paradigm Agency Phenomenologi by theme
As expressed in the paradigm Phenomenologi that convenience is formed through perbaduan between building elements, kosep planning and planning in order to create a comfortable place for people to move, hence its association with the agency paradigm that we should pay attention to the human scale and proportion as expressed by Vidler so create a comfortable space to move. For example, if an architect wants to design the bed so he must know what activities are carried out and the furniture is what is needed to support the activities and the circulation needed for passing. Everything was based on a human scale shingga furniture can be created, the volume of space corresponding to the human scale so that such premises as described in the comfort of phenomenology paradigm can be achieved.
4. Paradigm Phenomenologi with The Scene
In phenomenology paradigm described that to achieve comfort, it takes a combination of various elements. Association with the theme of the place is that we should be able to maximize the environment around us and then combine them in an effort to realize the convenience of the residents, but on the one hand we must also consider the environment in which we exist. Attention can be either maximize positive factors of our environment and minimize negative factors in our environment so that our comfort is not disturbed, except that in order to achieve comfort lest we destroy or disturb the environment around us. Example if the environment around us is a rocky environment then how do we harness the efforts of the existing environment around us improvise without damaging the environment around us and we should be able to sustain, maintain, and preserve our environment from extinction and remain as usual.
5. Aesthetic Paradigm Paradigm Rules Phenomenologi and Themes
In the paradigm of aesthetic, aesthetic value occupies the first value in the design, but according to our group, it may not reduce the comfort of human origin, as expressed in the paradigm of phenomenology and in accordance with existing regulations and ethics in the local environment such as expressed in the theme rules. So in essence phenomenologi paradigm and theme rule limiting the aesthetic paradigm of aesthetic order not to interfere with both the occupants and the surrounding. Example: in the design of the building, we can decorate our home looks in terms of looks us in relation to our surroundings basngunan accordance with government regulations in force in the area, such as the rules states that we must be compatible with the buildings around us. In addition to featuring beauty should not diminish the efficiency and comfort of building occupants is maintained.
6. Linguistics with Entity Paradigm Themes
Bodies in postmodern architecture is used as a model. Association with linguistic paradigm is that the agency as a model of the building appears as a manifestation of symbols, signs, architectural expression of feelings. So in essence, by our group, the theme of the body helped bring about a paradigm lingguistik. Example: banguanan KB nursing mothers with a statue at the entrance to symbolize that this building is a building associated with the KB.
7. The paradigm of Marxism with Urban Themes
In keeping with the urban theme of the need for compatibility between the urban deformation. These deformations include economic, social, and cultural. While the paradigm of Marxism discusses about the features that mark the city's culture. So in essence, by our group, the paradigm of Marxism is one of the factors that need to be used as consideration in thinking about the theme gray.
8. Theme ParadigmaMarxism with Meaning
Based on the paradigm of Marxism, namely the need for a marker as the cultural features of the city's association with the theme of the meaning of the theme that contains the element type, function and tectonics helps us to be more creative in finding the cultural features of the city. By knowing the type of proficiency level as described in the theme of the sense that parts of this type of communication yaiu able to create a sense of continuity between the building and its history, we can know the history of the city before or by knowing the culture helps us to find features, or cultural identity of the city which later will help us get to know the city.
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